![]() ![]() Until recently, this sort of tool has not been available to filmmakers on a limited budget.Ĭinema Tools provides Final Cut Pro with the functionality of systems costing many times more at a price that all filmmakers can afford. Most feature-length films are now edited digitally, using sophisticated and expensive nonlinear editors designed for that specific purpose. For NTSC, this includes a Reverse Telecine feature that removes the extra frames added during the 3:2 pull-down process commonly used when transferring film to video or when downconverting 24P video.Ĭinema Tools works with Final Cut Pro to provide tools designed to make both editing film digitally and working with the emerging 24P high definition video standard easier and more cost effective, providing functionality previously found only on high-end or very specialized editing systems.Ĭomputer technology is changing the film-creation process. Cinema Tools also provides tools that enhance Final Cut Pro's ability to edit video at a 24 frames per second (fps) rate, such as the import and export of 24 fps Edit Decision Lists (EDLs).Īlso provided is the ability to convert captured video clips to 24 fps video. Cinema Tools includes a sophisticated database feature that tracks this relationship regardless of the video standard you use, ensuring that the film can be conformed to match your Final Cut Pro edits. For editors and filmmakers who specifically want to shoot and finish on film or 24P high definition video, Cinema Tools for Final Cut Pro becomes an essential part of the post-production process when editing with Final Cut Pro, because it allows you to convert between different formats.įor example, when working with film you need to be able to track the relationship between the original film frames and their video counterparts. Projects are often shot, edited, and output using completely different formats at each step. Some Motion templates on this webpage are available from today's post-production environment, it's common for editors and filmmakers to find themselves faced with a confounding array of formats, frame rates, and workflows encompassing a single project.Performance tests are conducted using specific computer systems and reflect the approximate performance of Mac Studio and iMac. Prerelease Final Cut Pro 10.6.2 tested using a complex five-minute project with 8K ProRes 422 media. Testing conducted by Apple in February 2022 using preproduction Mac Studio systems with Apple M1 Ultra, 20-core CPU, 64-core GPU, 128GB of RAM and 8TB SSD, as well as production 3.6GHz 10-core Intel Core i9–based 27-inch iMac systems with Radeon Pro 5700 XT graphics with 16GB of GDDR6, 128GB of RAM and 8TB SSD. ![]() Prerelease Final Cut Pro 10.6.2 tested using a five-minute project with 4K Apple ProRes 4444 media, at 3840-by-2160 resolution and 23.98 frames per second, transcoded to Apple ProRes 422. ![]() Performance tests are conducted using specific computer systems and reflect the approximate performance of Mac Studio. Prerelease Final Cut Pro 10.6.2 tested using a one-minute picture-in-picture project with 18 streams of Apple ProRes 422 video at 8192-by-4320 resolution and 30 frames per second, as well as a one-minute picture-in-picture project with 56 streams of Apple ProRes 422 video at 3840-by-2160 resolution and 29.97 frames per second.
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